Imaginary Friends

I saw this great shirt in a catalogue yesterday that made me laugh so hard. Because it's so true. The quote: "Writer's block: when your imaginary friends stop talking to you." I don't know about you planners out there, but I have had characters hijack my stories so often it's ceased to be a quirk. It's the way I write. I think the story's going on direction and then BAM! Someone informs me that they're pregnant or gay or have a dead brother that they want to bring back from the dead.

There were two major ones with Savior (that I remember) that made me want to smack my characters. The first was that, after three years of working on this story, my protagonist pops up and says that his name wasn't really Trick, after all. It was Araeli, but he had changed it at some point to honor his brother's death, and wanted me to include that fact if I could. So I did, when I rewrote the entire manuscript. Then, this past spring when I was reworking the first hundred pages or so, Kel informs me that he had a cat that really ought to still be living with his brother and could be an important plot point. I tried my darndest to work that stupid cat in; I tore my hair out over it. In the end, I couldn't make it work. I don't think poor Vysni even got a mention, though I do have some fun ideas including her for shorts or prequels, if I ever make it that far.

Then there are the brilliant times when you're walking around (downtown, at work, around the house, at a writer's conference), talking to these insane beings that live in your head. Out loud. Please tell me I'm not the only one that does that. When they spring a plot point on you in the middle of the shower and you scream something incomprehensible at them because it either solves all the things you've been struggling with for the past year or creates even more chaos, and then your mother races up the stairs to make sure you didn't accidentally cut your arm off with the razor, is a particularly fun time. Especially explaining to her afterwards what really happened.

Non-writers just don't seem to understand the insanity that happens when working with characters who are supposed to be so real and believable. Part of being a good writer is creating these believable people to act in our stories; so why do we get incredulous looks and insane name tags when we bring up the fact that these characters really control the story, not us, the authors? Is it really so difficult to fathom?

Hello. My name is Emerson and my characters boss me around.

Quite Possibly the Maddest Thing I've Ever Done

Almost exactly a month ago, I started a new piece. It's super duper different from Savior, as I'm attempting to make it an adult epic fantasy, for the hell of it. I wrote a bit about my inspiration for it over here. The original idea was to write the minstrel character from the song I linked to, going to war and all that fun stuff. Then I added magic and craziness, to make it an actual fantasy piece (and because I love magic). I had a vague idea of the cause for this epic war, but nothing solid.

Then I came home from the conference last Sunday with this desire to add two more point of view characters, just to play with it. I've been wanting to attempt a story with multiple points of view for a while now, why  not try it with this one? So I did. Neither of them are as developed as the main PoV character at the moment, because I just started them, but they've already given me the cause for the war, the main antagonist, and an insight into the initially 'evil' country that started the war.

Only problem is now this story is going to be huge. And it no longer follows the inspirational song basically at all. That makes me a little sad, but oh well. The story's got plot now! That's kind of important. And I've always wanted to write something that included both sides of a conflict as 'good guys.'

So let's hope this experiment works! Anyone else had a story veer sharply from the original intent after a single decision like this? Or is that a pantser thing?

Pantsing for Life

While I'm a proud pantser writer (I write 'by the seam of my pants,' having no idea where anything's going, for those of you who aren't part of the heated pantser vs planner debate), I'm learning that attempting to be a pantser in the rest of your life is a bit...well, difficult. You can't just randomly pop into the dentist's, most of the time, or expect the money to pay your school loans (ugh) to just fall in your lap. Life doesn't come with built-in, useful plot devices. At least, not when you need them. Wouldn't that be something, though? Just at the moment you need it, some rare spell shows up, or you find a magic sword.

So! All you planners out there: are you planners in real life, too? Or just in your writing? Any tips for a floundering pantser?