Last post today, sorry! I was out all day, running around various parks and meeting new people. But that's not important right now.
What is important is that I've jumped (once again) back on the rewriting horse. I'm about a quarter of the way from finishing this rewrite of Savior, which means I'll be restarting that query brain soon. Hopefully, within the next couple of weeks. I've also officially signed up for the Rocky Mountain Fiction Writer's conference in a few months, and I'm thrilled. I took the dive this year and signed up to participate in a critique session with an agent. If nothing else, it'll give me more exposure to how agents look at things, which is always good.
And, on the not-writing-but-still-artsy side, I'm auditioning for a local production of Evita on Monday. Excited and nervous at the same time, since it's my first time auditioning for a theatre I've always wanted to act in. With me luck!
Oljiru kovy.
Showing posts with label Not-Writing-But-Still-Artsy Update. Show all posts
Showing posts with label Not-Writing-But-Still-Artsy Update. Show all posts
Saturday, June 18, 2011
Saturday, April 2, 2011
Metamorphosing Queries
Ever have one of those days when you just have to wonder where your life is going? I'm there. In a good way, though. I'm graduating in a month; I have a full manuscript that really only needs some minor editing to be finished again; I have several short stories I can fix up and try to submit to various magazines and anthologies; I'm heading back to Colorado soon. And, yet, I still have no idea if/where/when I can get a job. Oh, well. I shan't mope about that here.
This space is for writing and arts and creative things. Like Metamorphoses. I don't think I mentioned it here previously, but I'm currently in the play, as "Eurydice and others." For those unfamiliar with it, Metamorphoses is a one-act play written by Mary Zimmerman, based on the writings of Ovid. In other words, it's all about Greek myths. The big brouhaha of the show is that it was originally produced with a pool of water on stage, so our director decided he wanted to do the same thing. It turned out all right, but it's been a bit of a hassle and I won't say I'm not happy to see the last of it. Overall, though, it was a wonderful experience. If you get the chance to see a version of it and are at all interested in mythology or different types of theatre, please do so.
And now onto the writerly update of the week: WriteOnCon is my new favorite website ever. Q&A sessions with agents, query letter critiques, an online conference in the fall; what more could you want? This month, there are three literary agents going through query letters and saying whether they would request pages or not, and their reasoning. Not only is it absolutely wonderful of them to give their time like that, but it is also much more useful for us, the authors, than a form rejection. At least, I think so. The thing that bothers me about form rejection letters is not knowing why the agent didn't want my work. I understand completely that they're very busy people and they don't have time to personally comment on everything, but it's also a bit confusing not to know whether it was a poorly constructed query letter, an unappealing premise, or simply the wrong time to query. So having someone comment on my letter will at least confirm whether or not I need to rework my pitch, in addition to fixing up bits of the manuscript. I'm looking forward to it.
Onward! To the senior project presentation and graduation!
Oljiru kovy.
This space is for writing and arts and creative things. Like Metamorphoses. I don't think I mentioned it here previously, but I'm currently in the play, as "Eurydice and others." For those unfamiliar with it, Metamorphoses is a one-act play written by Mary Zimmerman, based on the writings of Ovid. In other words, it's all about Greek myths. The big brouhaha of the show is that it was originally produced with a pool of water on stage, so our director decided he wanted to do the same thing. It turned out all right, but it's been a bit of a hassle and I won't say I'm not happy to see the last of it. Overall, though, it was a wonderful experience. If you get the chance to see a version of it and are at all interested in mythology or different types of theatre, please do so.
And now onto the writerly update of the week: WriteOnCon is my new favorite website ever. Q&A sessions with agents, query letter critiques, an online conference in the fall; what more could you want? This month, there are three literary agents going through query letters and saying whether they would request pages or not, and their reasoning. Not only is it absolutely wonderful of them to give their time like that, but it is also much more useful for us, the authors, than a form rejection. At least, I think so. The thing that bothers me about form rejection letters is not knowing why the agent didn't want my work. I understand completely that they're very busy people and they don't have time to personally comment on everything, but it's also a bit confusing not to know whether it was a poorly constructed query letter, an unappealing premise, or simply the wrong time to query. So having someone comment on my letter will at least confirm whether or not I need to rework my pitch, in addition to fixing up bits of the manuscript. I'm looking forward to it.
Onward! To the senior project presentation and graduation!
Oljiru kovy.
Saturday, March 26, 2011
Names, Critique Groups and Kells
This week I discovered that I'm a lot more detail-oriented that I realized. I wanted to write a short set after Savior, but realized that the names I had originally chosen for my twin characters did not fit at all. For one thing, they both started with the letter K, and I already had one person with a K name in the family, so having three was a bit overwhelming. And, secondly, neither of the names fit in with the other Elvish names I used. Keenai and Kalin just don't really fit with Araeli, Kelaen, Caera and Lekotae. So I spent much longer than I should have creating a family tree that will never see the light of day, just to see if these kids could be named after their great-grandparents or anything. I finally settled on naming only one of them with an Elvish name, since only one of their adoptive parents is an elf. The names I wound up with, thanks to discussion with a friend and a tweaked name generator result: Arillae and Enden. I'm much, much more satisfied with these. Yay names! Yay crazy ways to find them!
In related news, I've reworked the majority of the first chapter of Savior. All that's left there is to figure out a form of transportation that melds technology and majyk. I've got a vague idea of what I want to do, but I'm waiting to see what my critique group says before making anything solid. What I've got so far could be read as a bit...silly. And silly isn't really what I'm going for.
On the note of critique groups: I'm thinking about joining another one when I get back to Colorado. One that meets in person, as opposed to the online one I participate in at the moment. I just think I'd like the face-to-face interaction, in addition to email. And goodness knows that my manuscript still needs a lot of work. It's getting there, though. I just want as much input as I can get.
For the "not-writing-but-still-artsy" update of the week, I finally got around to watching The Secret of Kells. It's an absolutely stunning film, if you haven't seen it and are at all interesting in Irish mythology. The artwork is gorgeous, the characters well-developed for such a short span of time (it's only a little over an hour long), and the dialogue perfectly parsed. For me, though, it was even more wonderful, because I've spent months studying Irish history just before the time period this film was set, and to see most of my research represented in this film, in addition to the Irish mythology (which I've also been studying), is just amazing to me. I love it when things interconnect like that, don't you?
Oljiru kovy.
In related news, I've reworked the majority of the first chapter of Savior. All that's left there is to figure out a form of transportation that melds technology and majyk. I've got a vague idea of what I want to do, but I'm waiting to see what my critique group says before making anything solid. What I've got so far could be read as a bit...silly. And silly isn't really what I'm going for.
On the note of critique groups: I'm thinking about joining another one when I get back to Colorado. One that meets in person, as opposed to the online one I participate in at the moment. I just think I'd like the face-to-face interaction, in addition to email. And goodness knows that my manuscript still needs a lot of work. It's getting there, though. I just want as much input as I can get.
For the "not-writing-but-still-artsy" update of the week, I finally got around to watching The Secret of Kells. It's an absolutely stunning film, if you haven't seen it and are at all interesting in Irish mythology. The artwork is gorgeous, the characters well-developed for such a short span of time (it's only a little over an hour long), and the dialogue perfectly parsed. For me, though, it was even more wonderful, because I've spent months studying Irish history just before the time period this film was set, and to see most of my research represented in this film, in addition to the Irish mythology (which I've also been studying), is just amazing to me. I love it when things interconnect like that, don't you?
Oljiru kovy.
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